Grateful Dead Live at Ace's on 1975-01-00
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|The First Day|
This reel contains what I believe to be the first 1975 Grateful Dead studio session, with the musicians recording an embryonic version of the "Blues For Allah" title track. Its also the earliest recording for what would become the "SNACK Jam," that they'd soon begin rehearsing with additional musicians (Ned Lagin, Merle Saunders and David Crosby) the following month.
This is not to be confused with any of the content on those February 1975 SNACK rehearsals for the Kezar Stadium gig, as Crosby and Saunders are not present here. It also does not match any other "Blues For Allah" studio outtakes tapes that I'm aware of. It's questionable whether or not Ned Lagin is present here, but I only hear Keith Godchaux playing electric piano. This leads me to believe that this is just the core band with Mickey Hart back on board. There are no vocals, so Donna Godchaux is not present on this recording.
The reel case only contains the notation "The First Day" and a date of "January." I have a few theories for this notation. It could mean that it was literally the first day of 1975, as in January 1, 1975. I think a more likely theory is that it was simply the first day of 1975 studio sessions sometime in January. Bob Gurman, who I inherited this reel from, thought it was the actual working title of this composition, since it was still an instrumental and prior to Robert Hunter's lyrics being written. I've also speculated that this could have been recorded as a guide reference for the band and additional Kezar musicians prior to those rehearsals. It may also have been recorded for Hunter as a template for writing lyrics. Or some combination of all of these possibilities…
I should also add that I'm aware of another version of this recording. I also have a DAT that I think I received in trade from Steven Martin back in the early 1990s. That contains this same recording, but with it divided into two sequences, with a short break in the middle. On this reel, those two sequences are seamlessly spliced together. Despite this spliced version originating from the same two sequences, the reel sounds significantly better and has considerably more dynamic range than the two sequences found on the DAT.
I've scoured through all known notation for 1975 Grateful Dead studio sessions, outtakes and rehearsals, but can find no mention or match to this particular recording - or of any January 1975 studio recordings for that matter. Surprising, since this is such remarkable quality. It very well may be the earliest recording of the Grateful Dead's return following the 1974 retirement. Have a listen. I don't think anyone will be disappointed. Alan Bershaw - January 2017
- Studio Master Reel -> ?-> Reel @7.5ips (TEAC A-4010 SL playback)-> Lexicon Lambda-> Logic 24/96 AIFF -> wav conversion to 16bit-44.1k-> xAct -> flac (TRT: 22:12)
- Mill Valley, CA
- Studio Reel - Bob Gurman's TDK LX 35/90B @7.5ips (see photo of actual reel and case included)
- Transferred by
- Alan Bershaw
Subject: Good Stuff Here
Subject: the Music never Stops
Subject: ace in the hole
this session documents the fertile period of exploration the band was engaged in during their “retirement.” in a larger sense, the dead’s choice of material for the album indicates that they were busily carving a unique path that no one expected.
Subject: track breakdown
the rough timings (for the one track) would be:
00:39 Blues For Allah
03:59 Sand Castles & Glass Camels
08:44 King Solomon's Marbles (Part 1: Stronger Than Dirt)
13:45 King Solomon's Marbles (Part 2: Milkin' The Turkey)
15:48 King Solomon's Marbles (Part 1: Stronger Than Dirt)
16:57 King Solomon's Marbles (Part 1: Stronger Than Dirt)
17:26 King Solomon's Marbles (Part 2: Milkin' The Turkey)
20:31 Unusual Occurrences in the Desert
note: the start and end are faded in/out. that makes it difficult to determine where this fits in with the other tapes from that time.
Subject: just for argument's sake
Also, I don’t have McNally’s GD bio handy, but I believe he says that the first session at Ace’s was by a local band (not the GD) on the night of a full moon, which would have been Jan 27 or Feb 26.
The music is sweet, if you dig these rehearsal recordings, which I do. Wish there was more!
Subject: two or three keyboardists
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